April 1995 |
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Tina Brown's New Yorker
It's timelier, hipper and more colorful. It continues to provide a home for serious journalism. But has that elusive quality that made The New Yorker so distinctive been lost?
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By
Joanne Weintraub
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Reinventing the Newsroom
Newspapers are flattening hierarchies, creating reporting teams, circles and pods, dismantling fiefdoms, liberating designers. Will all of this trendy tinkering create better journalism?
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By
Carl Sessions Stepp
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Used and Abused
Newt Gingrich astutely manipulated the news media and made himself a megastar. Now he's trying to score points by pummeling them.
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By
James McCartney
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In the Dark
Shutting down Americ'as prematurely aging nuclear power plants will cost tens of billions of dollars. But most of the news media are not paying attention.
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By
Elliott Negin
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Rooting Out Socialists and Advertisers
Newt's plan just requires a little sacrifice for the cause.
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By
Reese Cleghorn
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Can One-Man Bands Hit High Notes?
Some say viewers lose out when reporters shoot their own video.
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By
Lou Prato
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Making Checkbook Journalism a Crime
California laws making it illegal to accept money for information obtained by witnessing a crime face a legal challenge.
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By
Lyle Denniston
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Are Bean Counters Taking Over?
While discouraging, recent cost cutting at newspapers is a rational response to a changing climate.
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By
John Morton
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Coping with the Tightening Newsprint Squeeze
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By
Kelly Heyboer
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Monitoring Miami's Mayhem
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By
Bill Rose
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Love and the Editorial Page
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By
Alicia C. Shepard
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Homes of the (Journalism) Stars
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By
Chip Rowe
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"The Syndicate with a Soul"
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By
David Allan
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Exploring What It Takes to be a Great Editor
Genius In Disguise:
Harold Ross of The New Yorker
By Thomas Kunkel
Random House
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Book review by
Carl Sessions Stepp
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Dexter's Grim View of Journalism
The Paperboy
By Pete Dexter
Random House
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Book review by
Carl Sessions Stepp
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Starting As a Freshman
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By
Suzan Revah
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Goodbye Without Leaving
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By
Kelly Heyboer
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Bylines
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By
Suzan Revah
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Cliché corner
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By
Suzan Revah
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